We will read Oliver Wendell Holmes pages 348 - 352. Answer questions 1-4 and 6 on page 353.
Tuesday, 4 December 2018
Tuesday
We will continue with the Fireside poets today.
We will read Oliver Wendell Holmes pages 348 - 352. Answer questions 1-4 and 6 on page 353.
We will read Oliver Wendell Holmes pages 348 - 352. Answer questions 1-4 and 6 on page 353.
Sunday, 23 October 2016
American Romantic Period
Today we will finish presenting Unit I Projects, and then we will go over Unit 2: The American Romanticism Finally, we will read the overview of the unit - pages 305-313. Homework, finish reading this sections. Unit Learning goal: Students will demonstrate knowledge of nineteenth century foundation works of American Literature by determining how a theme is developed over the course of text by analyzing structure, author’s choice of details, and character; and, by writing an essay on how these elements (or one of them) influences the meaning of the novel as a whole.
Scale/Rubric relating to learning goal:
4 – The student
can write a 5-10 page essay that explores how structure, details (symbol,
imagery, figurative language) is developed of the course of the novel and how
it influences the meaning of the novel.
3 – The student
can write a 3-5 page essay that explores how structure, details (symbol,
imagery, figurative language) is developed of the course of the novel and how
it influences the meaning of the novel.
2 – With some
direction/help from the teacher the student can write a 3-5 page essay that
explores how structure, details (symbol, imagery, figurative language) is
developed of the course of the novel and how it influences the meaning of the
novel.
1 – Even with
help from the teacher the student is unable to the student can write a 3-5
page essay that explores how structure, details (symbol, imagery, figurative
language) is developed of the course of the novel and how it influences the
meaning of the novel.
Objectives (smaller chunks of overall goal) and
suggested time periods
At the end of this Unit the Students will be able
to
1)
List and explain 3-5
symbols from the novel The Scarlet
Letter
2)
Discuss the basic
structure(s) of The Scarlett Letter
3)
Given the main ideas of
various pieces of Romantic Literature
4)
List the key aspects of
Romanticism
5)
List the key aspects of
transcendentalism
6)
Discuss who the Fireside
poets were and what they believed in
7)
Keep a dialectical journal
while reading The Scarlet Letter
8)
Evaluate the purpose and argument
of public advocacy
9)
Determine two or more
themes in a text
10)
Discuss the importance of
rhyme scheme and stanza structure and how they create meaning
11)
Compare Emerson and
Thoreau
Major Themes addressed:
The idea of individualism and the purpose of nature.
The meaning of sin and forgiveness.
Sometimes to be patriotic means to protest one’s
government.
The meaning of truth and the idea that everyone has a dark
side.
Is the price of progress ever too high?
Anchor
Text(s)/Additional Instructional Resources:
The
Scarlett Letter by Nathaniel Hawthorne
EARLY ROMANTIC LITERATURE
“The Devil and Tom Walker” by Washington Irving
FIRESIDE POETS
“A Psalm of Life” and “The Tide Falls” by Henry Wadsworth
Longfellow
“The Chambered Nautilus” and “Old Ironsides” by Oliver Wendell
Holmes
THE TRANSCENDENTALISTS
“Self-Reliance” and “Nature” by Ralph Waldo Emerson
“Walden” and “Civil Disobedience” by Henry David Thoreau
GOTHIC
“The Fall of the House of Usher” by Edgar Allan Poe.
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Wednesday, 11 May 2016
Wednesday
Today I'm going to have you break up into groups and outline PART 3 of the novel.
First we will look at the last "major" beat writing: Gregory Corso and "Marriage"
Go HERE
Finally we need to review what the test on Monday will look like:
Part I (50 points): In an essay of 1-2 pages discuss how the novel works as a 3-part structure make sure you incorporate how the structure reinforces a major theme and try to bring a symbol or two. You will need specific examples from the text.
Part II (50 points)
On the Road
Also be able to do the following:
1) Discuss ho the "Road" works as a symbol in this book and connect it to a major theme (use specific examples)
2) Give examples of each of the following themes (2-3 examples of each): a) Different visions of America; b) Dissatisfaction with the status quo; c) Different versions of reality
3) Discuss the meaning of the conclusion. What does it imply? Why do think this?
4) Discuss how On the Road helped inspire the 60's counterculture (besides the drugs).
Their Eyes Were Watching God
1) Discuss Janie's journey - West Florida to Eatonville, Eatonville to the Everglades, and back to Eatonville. What does she learn through these travels.
2) The Symbol of the Pear Tree.
3) Discuss and give examples of the theme of empowerment
4) Discuss on major allusion and how it works in the novel.
First we will look at the last "major" beat writing: Gregory Corso and "Marriage"
Go HERE
Finally we need to review what the test on Monday will look like:
Part I (50 points): In an essay of 1-2 pages discuss how the novel works as a 3-part structure make sure you incorporate how the structure reinforces a major theme and try to bring a symbol or two. You will need specific examples from the text.
Part II (50 points)
On the Road
Also be able to do the following:
1) Discuss ho the "Road" works as a symbol in this book and connect it to a major theme (use specific examples)
2) Give examples of each of the following themes (2-3 examples of each): a) Different visions of America; b) Dissatisfaction with the status quo; c) Different versions of reality
3) Discuss the meaning of the conclusion. What does it imply? Why do think this?
4) Discuss how On the Road helped inspire the 60's counterculture (besides the drugs).
Their Eyes Were Watching God
1) Discuss Janie's journey - West Florida to Eatonville, Eatonville to the Everglades, and back to Eatonville. What does she learn through these travels.
2) The Symbol of the Pear Tree.
3) Discuss and give examples of the theme of empowerment
4) Discuss on major allusion and how it works in the novel.
Monday, 9 May 2016
Thursday, 5 May 2016
Thursday and Friday
On your own or in small groups (2-3) you should be doing the following things:
Outlining part 2 of your novels, and continuing to read and take notes on characters and themes.
Pay close attention to the reading schedule:
4/27 - page 32
4/28 - page 54
4/29 - page 76
5/2 - page 98
5/3 -- page 120
5/4 - 144
5/5 - 156
5/6 - 178
5/9 - 200
5/10 - 222
5/11 - 244
5/12 - 266
5/13 - FINISHED
THEIR EYES WERE WATCHING GOD
4/27 - page 33
4/28 - page 54
4/29 - page 76
5/2 - 98
5/3 - 120
5/4 - 135
5/5 - 150
5/6 - 160
5/10 - 180
5/11 - FINISHED
5/12 - Review for FINAL
Outlining part 2 of your novels, and continuing to read and take notes on characters and themes.
Pay close attention to the reading schedule:
4/27 - page 32
4/28 - page 54
4/29 - page 76
5/2 - page 98
5/3 -- page 120
5/4 - 144
5/5 - 156
5/6 - 178
5/9 - 200
5/10 - 222
5/11 - 244
5/12 - 266
5/13 - FINISHED
THEIR EYES WERE WATCHING GOD
4/27 - page 33
4/28 - page 54
4/29 - page 76
5/2 - 98
5/3 - 120
5/4 - 135
5/5 - 150
5/6 - 160
5/10 - 180
5/11 - FINISHED
5/12 - Review for FINAL
Wednesday, 4 May 2016
On the Road and the BEATS
GO HERE
Overview of the BEATS
Allen Ginsberg (Carlo Marx) - "America"
Today - you need to read to page
Overview of the BEATS
Allen Ginsberg (Carlo Marx) - "America"
Today - you need to read to page
Tuesday, 3 May 2016
ON THE ROAD part I
Today, I'm going to break you up into groups and I want you to outline part I. Remember to connect part one to a major theme and begin to think about On the Road as having three moments.
Think about traditional plot. How would this novel fit a traditional plot scheme? What is the conflict in this book?
I also want you to think about how you would compare On the Road with Huckleberry Finn. These are two texts that are normally talked about and compared to each other.
Remember - you need to read to page 120 for tonight.
NOTES FROM YESTERDAY
PART I:
Sal Paradise – main character, protagonist, narrator. Book starts after his breaks up with his
wife. He is a writer. Lives in New York with his Aunt.
Dean Moriarty – con man, hustler, spent time in reform
schools, born on the road, father was a hobo.
The catalyst for Sal’s adventures.
MaryLou – Dean’s 1st wife. Doesn’t want to be with Dean, but at the same
time wants to be with him. By the time
Sal gets to Denver she and Dean are getting a divorce.
1st section of this book deals with Paradise
travelling and hitchhiking to Denver, and then from Denver going to San
Francisco.
Rides:
a)
Flat bed truck
b)
Eddie
c)
The old woman who lets him drive
d)
Truck drivers
He hangs out in Chicago, sees the Mississippi, and talks,
drinks with other men on the road (particularly in the flat bed truck).
Jazz – bebop: Charlie Parker, Miles Davis.
Denver:
Chad King – more serious, and appears to be an artist, but
respectable.
Carlo Marx – poet, person who spends lots of time with Dean
talking, and maybe helping his learn to write.
Camille – mistress of Dean, doesn’t like Carlo, blonde. Grad students.
San Francisco:
Sal lives and works with Remi as a security guard. Remi steals food using a Truman quote.
Remi – Sal knows Remi from Prep School.
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