Friday 29 January 2016

Friday

Today - we are going to finish 22.  Do the words of the day, review your outlines for Episode 6, and discuss next week and POW.  I will also give you some time to work on the discussion questions 11-20.


2/1 Lincoln: “The Emancipation Proclamation”; “The Gettysburg Address”; “Lincoln’s Second Inaugural Address”

2/2 from The Narrative of the Life of Frederick Douglas

2/3: Walt Whitman
2/4: Emily Dickinson
2/5  Vocabulary Quiz - which will include literary terms

2/8 Review

POW - Finish Huckleberry Finn and discussion questions



Huck Discussion Questions: XXI - XXIII
  1. Through the Grangerford episode, Twain was able to criticize the myth of Southern honor. What myth of Southern life does Twain satirize in the Sherburn / Boggs incident (which, by the way, was based on a true incident)? What aspect of human nature does Twain satirize through the scene in the drugstore?
  2. Compare the circus with the entertainment supplied by the duke and king?
  3. What does Huck's reaction to the circus incident tell us about him? Whom does he think was most deceived?
  4. What is Twain implying about human nature through the advertising for the "Royal Nonesuch"?
  5. "What was the use to tell Jim these warn't real kings and dukes? It wouldn't a done no good; and besides, it was just as I said; you couldn't tell them from the real kind." (117). What does Twain imply?
  6. What is significant about the story of 'Lizabeth?
  7. Be ready to tell Huck's story so far. Develop a chronology of events - the more detailed the better!


    Huck Discussion Questions XXIV - XXVII

    1. As we have discussed, clothes can play a symbolic or thematic role in the novel. Huck even says that he "never knowed how clothes could change a body before." Discuss the thematic role of clothes in these chapters.

    2. Comment on the last paragraph of Chapter XXIV. Make a connection to Twain's description of the Arkansas town. Why is Huck's response to the Peter Wilks incident so strong? Why does Huck make moral evaluations now (you'll recall that he remained morally neutral concerning the prior schemes of the duke and king)?

    3. What qualities do the Wilks girls have that allow them to be fooled so easily?

    4. Why is it significant that Joanna eats in the kitchen? What is the significance of her nickname? What themes are revealed?

    5. What statement about the behavior of people does Twain make through the Dr. Robinson incident?

    6. Previously Huck has refused to hinder the antics of the king and duke. Now he attempts to foil their scheme. Why? What theme(s) from the novel can you apply to Huck's change in attitude?




    Huck Questions XXVIII - XXX

    1. Twain was heavily criticized for bad taste due to his description of the funeral toward the end of Chapter XXVII. Why do you think he was criticized, and do you think the criticism justified?

    2. On page 141 Huck says, ". . . here's a case where I'm blest if it don't look to me like the truth is better, and actuly safer, than a lie." Explain.

    3. In these three chapters Huck finds himself having to lie for various reasons. How do his motives differ?

    4. Why doesn't Twain involve Jim more in these chapters?

    5. Does Huck's escape from Hines say anything about Hines' character?

    6. How does Huck feel about Mary Jane? Why does Huck tell her to go away? Significance?

    7. Discuss the significance of Huck's statement, ". . . anybody but a lot of prejudiced chuckleheads would a seen that the old gentlemen was spinning truth and t'other one lies."

    8. What does the doctor represent?

    9. By the end of Chapter XXX, do you think Twain vindicates the characters of the duke and king or does he have them remain as villains? Explain.


    Huck Discussion Questions XXXI - XXXV

    1. Would you say that Chapter 31 represents the climax of the novel? Why or why not?

    2. Huck says, "All right, then, I'll go to hell." Explain the irony in that statement.

    3. Discuss the symbolism of the imagery at the beginning of Chapter 32.

    4. Discuss Huck's understanding of Providence (215)? Would Miss Watson agree?

    5. How does Twain use irony in the discussion between Huck and Mrs. Phelps about the "steamboat accident."

    6. One of the recurring themes becomes apparent when Huck discovers that the Phelps are expecting Tom Sawyer. Which theme comes to mind and why?

    7. Huck and Tom both agree to help Jim escape; however, their motives are different. Explain.

    8. "...and as they went by I see they had the king and duke astraddle of a rail - that is, I knowed it WAS the king and the duke, though they was all over tar and feathers. ...Well it made me sick to see it; and I was sorry for them poor pitiful rascals. ...Human beings CAN be cruel to one another" (225). Comment. What does this reveal about Huck's character?

    9. Discuss the irony in Tom's reaction to the stealing of the watermelon.

    10. Why does Huck let Tom take control?
Huck Discussion Questions XL-Chapter the Last

1. What do we learn about Jim in these chapters?

2. What effect does the Doctor's speech in support of Jim have? How do you feel about that?

3. What is the significance of the bullet?

4. Where is Huck going at the end of the novel? What does this imply about his view of the world in which he lives?

5. Comment on the style of the novel. Do you feel it represents the Realist tradition as we have discussed it? What aspects of Huck's character make him a good narrator? What problems did you encounter (if any) due to Huck's narration? Speculate on how a different narrator or a third person omniscient narrator would impact the story.
 

Tuesday 26 January 2016

Tuesday

We have a couple of people finishing up MAP testing today.  So while they are doing that I would like the rest of class to 1) Outline episode 5 (THE FEUD), and 2) Make sure your vocabulary words are looked up.

Further, you will be having a quiz on Thursday make sure you know your lit terms for this book. 


Picarsque Novel: Usually a satirical novel which depicts in realistic detail the adventures of a roguish hero of low social class who survives by his or her wits in a corrupt society.

Bildungsroman: A novel whose principal subject is the moral, psychological and intellectual development of a youthful main character.

Episodic Plot: A structure that features distinct episodes or a series of stories linked together by the same character. Huck Finn can be broken up into 8 or 9 episodes.

Romanticism:
Work of literature that deal with imagination, that represent ideals of life, these works often include fantastic adventure stories, spiritual connections with nature, gothic stories of the fantastic. Authors include: Sir Walter Scott, Fenimore Cooper, Poe.

Realism:
Works of literature that depict life and people as they really appear. Hence Realistic.
Themes include corruption of society as a whole, racism.

Anithero:
A protagonist who doesn't fit the traditional description of a hero.

Persona:
An assumed identity or character.

Satire:
A work of literature that uses irony and hyperbole to attack and mock some aspect of society as a way to promote social change.

Friday 22 January 2016

Friday

Today, we are going to finish reading chapter 17 and 18.

Then - you will have time to outline episodes 3 and 4 if you haven't do so, or look up your vocabulary words.


Wednesday 20 January 2016

Wednesday

We need to go over Bildungsroman, anti-hero, and satire today and discuss how they work in the book.  We also need to review chapter 16.




Picarsque Novel: Usually a satirical novel which depicts in realistic detail the adventures of a roguish hero of low social class who survives by his or her wits in a corrupt society.

Bildungsroman: A novel whose principal subject is the moral, psychological and intellectual development of a youthful main character.

Episodic Plot: A structure that features distinct episodes or a series of stories linked together by the same character. Huck Finn can be broken up into 8 or 9 episodes.

Romanticism:
Work of literature that deal with imagination, that represent ideals of life, these works often include fantastic adventure stories, spiritual connections with nature, gothic stories of the fantastic. Authors include: Sir Walter Scott, Fenimore Cooper, Poe.

Realism:
Works of literature that depict life and people as they really appear. Hence Realistic.
Themes include corruption of society as a whole, racism.

Anithero:
A protagonist who doesn't fit the traditional description of a hero.

Persona:
An assumed identity or character.

Satire:
A work of literature that uses irony and hyperbole to attack and mock some aspect of society as a way to promote social change.

Chapter 14: King Solomon/Kings in general

Reinforce Romanticism - and the romantic idea of kings. Jim argues that King Solomon wasn't so wise because he had a million wives which means he had about 5 million babies - and who could live with that kind of noise. He also argues that cutting a child in two isn't really smart. It's because he has so many children that he can afford to cut one or two in half.

There's a foreshadow here - kings and royalty are coming.

Chapter 15: Huck's third trick on Jim. Think about the towheads and the fog. What do they represent?
Huck learns more about Jim and begin to see him as a human.

Chapter 16: persona # 4 and Huck's deformed conscious.  


Episode 1: (Chapters 1- 4) Huck is living with the Widow Douglas, who is teaching him about region and having go to school. Tom Sawyer starts a gang who says there are gonna steal for passing wagons. Tom plays a trick on Jim. Huck is in Tom's gang for a little while but nothing really comes of it and he quits. Huck realizes his dad is back and gives all the money to Judge Thatcher. This episode ends with huck's dad in his room. Huck goes to Jim for advice or a prophet and Jim really doesn't tell him anything important. ends by Pa showing up.

Episode 2: (5- 7) Pa gives Huck a hard time for being eduated and tells him to stop going to school or he'll whip him. Then he questions Huck about the money and Huck says he doesn't have it. Pa says he will get it from Judge Tatcher cause it's his. Then he goes to the Judge and demands for the money. The judge decided he wanted custody of Huck and go to the law. Well there is a new Judge in town who doesn't want to break up a son and dad. Pa then plays off the judge's Gullibilty, saying he would quit drink and is a changed man. The judge gives him a room and new clothes, pa gets drunk and the judge gives up on him. So Pa tries to get the money again, and he also kidnaps Huck. Well they live in a cabin and Pa is careful not to leave anything Huck could use to escape. Huck eventually finds a saw and starts sawing through the floor everytime Pa leaves. One night Pa comes back really drunk and tries to kill Huck. The next day, Huck finds some logs and Pa takes them to the town to sell them. While Pa is way, Huck finishes sawing thorugh, makes it look like he was killed and leaves.
 

Episode 3: (8-11)
Episode 4: (12-16)


Vocabulary Words Chapters 1-15

1) Affix

2) Commence

3) Tolerable

4) Shrivel

5) Providence

6) Ingot

7) Oracle

8) Infernal

9) Speculate

10) Hogshead

11) Vial

12) Pivot

13) Careened

14) Gaudy

15) Raspy

16) Notion

17) Dismal

18) Victuals

19) Thrash

 Homework: Work on Poetry Out Loud for tomorrow night. 

Tuesday 19 January 2016

Tuesday

Today - we will spent 10 minutes finishing your chapter projects from yesterday, and then we will present this.  Afterwards, we will revisit your poems and discuss performance.  You might want to print your poems out.

HW: Read Chapter 16

Sunday 17 January 2016

Huck Finn

Today we will review chapters 12 -14.

Then, you'll be split into groups.  Each group will have one chapter that they will have to present at the end of class.

Included in the presentation are the following:

1) Summary of the chapter
2) A major theme invoked by the chapter (see Unit themes)
3) Discuss of irony involved in the chapter
4) A discussion of the relation of Huck and Jim in this chapter
5) A reenactment of part of the chapter.

HOMEWORK: Chapter 15.  

Thursday 14 January 2016

Thursday

Unit Learning goal: Students will demonstrate knowledge of nineteenth century foundation works of American Literature by analyzing satire in Mark Twain’s The Adventures of Huckleberry Finn and relating one of its main themes to another text and issue of the time. 
Scale/Rubric relating to learning goal:
4 – The student can analyze Mark Twain’s use of satire to address an issue of the day and compare/contrast multiple themes in the text with other texts of realism
3 – The student can analyze satire used in Huckleberry Finn and connect a major theme of the book to another text and issue of the time
2 – With some direction/help from the teacher the student can analyze the satire in Huckleberry Finn and connect the novel to a issue of the day
1 – Even with help from the teacher the student is unable to analyze satire or connect the novel to an issue of the day.

Huck Discussion Questions: V - XI

1. Pap: "I won't have it. I'll lay for you, my smarty; and if I catch you about that school I'll tan you good. First you know you'll get religion. I never seen such a son." Discuss the meaning and irony.
2. How does the refusal of the court to grant custody of Huck to the Widow Douglas and Judge Thatcher reflect on society?
3. Even though Huck is regularly beaten, he prefers to stay at the shanty. Why? How does this reflect one of the major themes?
4. Comment on Pap's drunken tirade over the "govment." What message is Twain sending?
5. What major theme is reflected by Huck's escape from his father and his discovery of Jim?
6. What is ironic about Huck wishing Tom were there to help plan the escape? How do you think the plan would have developed had Tom been there? Would it have been successful?
7. Discuss the irony in Huck's finding bread to eat. He also seems to modify his position on prayer. Discuss.
8. Discuss Jim' actions after meeting Huck.
9. Discuss how running into Jim represents Huck's rebirth. Discuss the resulting conflict in Huck's mind.
10. Significance: "People would call me a lowdown Abolitionist and despise me for keeping mum."
11. Even though Jim seems to rely on superstition, many of his predictions are rooted in knowledge.
Explain the significance.
12. Discuss the trick that Huck plays on Jim. It that typical of Huck's character? What does he learn?

13. What do we learn about Huck's character from his trip to shore?
14. When Mrs. Loftus discusses the money that Tom had found, a common human trait emerges. Discuss.
15. Discuss the satire revealed in the amounts of the rewards.

Chapters 11 - 20


1. Compare and contrast the lies Huck gives to Mrs. Judith Lotus to the lies he tells the watchman? (chap 11 and 13). Think about purpose and results. Remember lies and inventing (or reinventing) personas is a motif. What theme do you think these lies reinforce?
2. Make a list of names Huck uses or invent.
3. Contrast the gang on the Walter Scott to Tom’s Gang (you might even look at some of the rules of Tom’s Gang). What is the significance of these two gangs? What idea is Twain trying to reinforce?
4. Look up Walter Scott on the internet. Why would Twain name the sinking boat Walter Scott? What is he making fun of? (Hint: Research the name and read about who Walter Scott was).
5. Look up the dimensions of the Mississippi. Write them down. Look up the Mississippi in Illinois and Missouri. What does the internet say about the river in these two states? Find a picture of the Mississippi. Why do you think Twain used the Mississippi as a symbol?
6. What are Huck’s descriptions of the river when he and Jim first leave Jackson Island (before the storm)? What theme does this reinforce?
7. Why does Huck want to save the gang of murders? What is funny about this? What does it say about Huck?
8. What is the significance of the following quote: “Do you reckon Tom Sawyer would ever go by this thing? Not for pie, he wouldn’t. He’d call it an adventure—that’s what he’d call it; and he’d land on that wreck if it was his last act. And wouldn’t he throw style into it?—wouldn’t he spread himself, nor nothing? Why you’d think it was Christopher Columbus discovering Kingdom-Come.”
9. What is funny about the discussion between borrowing and stealing? Discuss what you think the significance of this is.
10. Make a list of references to death so far in the novel.
11. List the allusions so far.
What was your favorite event that happened in chapters 11-13? Why?

THEMES:
 
Major Themes: Mark Twain described the major theme of The Adventures of Huckleberry Finn as an irony: "A sound heart and a deformed conscience come into collision and conscience suffers defeat." We can define the "deformed conscience" as a conscience influenced by the laws of society and a sense of duty toward those laws. The laws of society at the time of Huck's journey considered people of African descent as property and, therefore, less than human. Huck's struggle with his "deformed conscience" represents a major conflict in the novel. Furthermore, the novel is rich in common themes, themes that we will discover in many other pieces of literature.

1. The conflict between the individual and society - Huck's struggle with his "deformed conscience"
2. The conflict between the emotional and the rational
3. Appearance vs. reality - hypocrisy and "phoniness"
4. Superstition - as a method of explaining and understanding
5. Tolerance vs. prejudice
6. Dehumanization - dehumanizing human beings to oppress them
7. Death and rebirth
8. Coming of age - the hero's journey
9. The role of the outsider
10. The nature and significance of the following human traits: gullibility, ignorance and naivete

Other significant themes include: the feeling of loneliness and isolation; the quest for freedom; romantic vs. real; implied vs. literal; the role of women; the concept of family.  
NOTES:

Picarsque Novel: Usually a satirical novel which depicts in realistic detail the adventures of a roguish hero of low social class who survives by his or her wits in a corrupt society.

Bildungsroman: A novel whose principal subject is the moral, psychological and intellectual development of a youthful main character.

Episodic Plot: A structure that features distinct episodes or a series of stories linked together by the same character. Huck Finn can be broken up into 8 or 9 episodes.

Romanticism:
Work of literature that deal with imagination, that represent ideals of life, these works often include fantastic adventure stories, spiritual connections with nature, gothic stories of the fantastic. Authors include: Sir Walter Scott, Fenimore Cooper, Poe.

Realism:
Works of literature that depict life and people as they really appear. Hence Realistic.
Themes include corruption of society as a whole, racism.

Anithero:
A protagonist who doesn't fit the traditional description of a hero.

Persona:
An assumed identity or character.

Satire:
A work of literature that uses irony and hyperbole to attack and mock some aspect of society as a way to promote social change.

Wednesday 13 January 2016

Wednesday

Today,

We are going to spend about 10 minutes working on POETRY OUT LOUD.

Then we will look at chapters 9 and 10 of Huckleberry Finn.

Your reading assignments for this week:

Wednesday chapters 9-10

Homework: Outline Episode 2 of Huckleberry Finn (these are books 5-8, Huck and Pap).  For this outline you need a summary, a major theme for the episode, and two ironies (situation and/or dramatic) - with detailed examples. 

Thursday chapters 11-12

Homework: Finish study questions.

Friday chapters 12 -13

Homework: Poetry Out Loud

Monday 11 January 2016

Episode 2 - Pap and Huck


Today we are going to take a short reading quiz.  Discuss/review Huck Finn so far (chapters 1-7)/with literary terms.  Read chapter 8-9.
HOMEWORK: Memorize poems.  Memorization quiz tomorrow.  

Unit Learning goal: Students will demonstrate knowledge of nineteenth century foundation works of American Literature by analyzing satire in Mark Twain’s The Adventures of Huckleberry Finn and relating one of its main themes to another text and issue of the time. 

Scale/Rubric relating to learning goal:
4 – The student can analyze Mark Twain’s use of satire to address an issue of the day and compare/contrast multiple themes in the text with other texts of realism
3 – The student can analyze satire used in Huckleberry Finn and connect a major theme of the book to another text and issue of the time
2 – With some direction/help from the teacher the student can analyze the satire in Huckleberry Finn and connect the novel to a issue of the day
1 – Even with help from the teacher the student is unable to analyze satire or connect the novel to an issue of the day.

Wednesday 6 January 2016

Poetry Out Loud



The POL competition is on Thursday 1/21 at 6 pm on the school stage.  This is a requirement.  You must have a poem memorized and ready to perform.  This is also an easy grade:

50 points for the memorization
30 points for showing up to the performance
20 points for the acting of the poem.

The winner of POL receives a $50 gift certificate to Radio Shack and has a chance to go the State Championship in March.

Here is a link to the POL judging guidelines
This rubric is also how you will be graded on the "acting" portion.

Poetry Out Loud website can be found here

Tips for performance can be found here
 

Huck Discussion Questions: V - XI

1. Pap: "I won't have it. I'll lay for you, my smarty; and if I catch you about that school I'll tan you good. First you know you'll get religion. I never seen such a son." Discuss the meaning and irony.
2. How does the refusal of the court to grant custody of Huck to the Widow Douglas and Judge Thatcher reflect on society?
3. Even though Huck is regularly beaten, he prefers to stay at the shanty. Why? How does this reflect one of the major themes?
4. Comment on Pap's drunken tirade over the "govment." What message is Twain sending?
5. What major theme is reflected by Huck's escape from his father and his discovery of Jim?
6. What is ironic about Huck wishing Tom were there to help plan the escape? How do you think the plan would have developed had Tom been there? Would it have been successful?
7. Discuss the irony in Huck's finding bread to eat. He also seems to modify his position on prayer. Discuss.
8. Discuss Jim' actions after meeting Huck.
9. Discuss how running into Jim represents Huck's rebirth. Discuss the resulting conflict in Huck's mind.
10. Significance: "People would call me a lowdown Abolitionist and despise me for keeping mum."
11. Even though Jim seems to rely on superstition, many of his predictions are rooted in knowledge.
Explain the significance.
12. Discuss the trick that Huck plays on Jim. It that typical of Huck's character? What does he learn?

13. What do we learn about Huck's character from his trip to shore?
14. When Mrs. Loftus discusses the money that Tom had found, a common human trait emerges. Discuss.
15. Discuss the satire revealed in the amounts of the rewards.

Monday 4 January 2016

Poetry Out Loud and HUCKLEBERRY FINN

The POL competition is on Wednesday 1/21 at 6 pm on the school stage.  This is a requirement.  You must have a poem memorized and ready to perform.  This is also an easy grade:

50 points for the memorization
30 points for showing up to the performance
20 points for the acting of the poem.

The winner of POL receives a $50 gift certificate to Radio Shack and has a chance to go the State Championship in March.

Here is a link to the POL judging guidelines
This rubric is also how you will be graded on the "acting" portion.

Poetry Out Loud website can be found here

Tips for performance can be found here
 


Introduction:
            Huckleberry Finn, published in 1885, is considered not only a great book, but according to Ernest Hemingway (and many critics), it is the foundation of American literature.  It is the first novel to address uniquely American problems such as slavery and the hypocrisy of American Society (particularly of the Southern Gentile Tradition).  It is the first novel to have as its narrator a true American: an uneducated homeless boy of the lower class who has been raised for most of his life by no one and who owns nothing but his own ingenuity.  In fact it is the naivety of the narrator that allows Mark Twain to condemn society.  Huck Finn, while a liar, a thief, a minor conman (or con-boy), a rapscallion, a dirty waif, and a prankster, is ironically the most honest and good person in the book.  Fortunately Huck’s lack of sophistication limits his ability to be anything but true to heart.  It is his redemption.  The novel, a biting satire, employs all three types of irony we’ve discuss to create humor, plus it employs devices such as the use of allusion as a way to mock past literature for Huckleberry Finn is a novel in the school of realism. Twain believed that literature had to have characters and situations that could be found in the real world and to address real world problems (and Twain does entertain scenes with events that mimic and mock real events that happened in his day).  This idea of realism is one of the reasons the novel contains four types of dialect and discusses ideas such as slavery and freedom.  Twain opposed and absolutely hated romantic literature: literature where unlikely things happened such a fantastic escapes, magic, and Robin Hood-like heroes.  He pokes fun at these types of novels, perhaps too much fun.  Twain also uses his mockery of Romanticism to address the absurd nature of American idealism.  Huck Finn has been called vulgar and has been banned in high schools and in libraries since its publication.  Beware you will encounter the “N” word regularly.  Twain used it for a reason.  It should shock you and it should make you think.
Unit Learning Goal: Students will demonstrate knowledge of nineteenth century foundation works of American Literature by analyzing satire in Mark Twain’s The Adventures of Huckleberry Finn and relating one of its main themes to another text and issue of the time. 
TEXTS:
“Historical and Context of the transition from Romanticism to Realism”; selected poetry by Walt Whitman and Emily Dickinson; excerpts from The Narrative of the Life of Frederick Douglas; “The Gettysburg Address”, “The Emancipation Proclamation”, “Lincoln’s Second Inaugural Address”; The Adventures of Huckleberry Finn
Standards:
RL1 – Cite Strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain
RL2 – Determine two of more themes or central ideas of a text and analyze their development over the course of a text, including how they interact and build upon one another to produce a complex account; provide an objective summary of the text
RL3 – Analyze the impact of the author’s choices regarding how to develop and relate elements of a story (e.g. where a story is set, how the action is ordered, how the characters are introduced and developed)
RL 4 – Determine the meaning of words and phrase as they are used in text, including figurative and connotative meaning; analyze specific word choices on tone
RL 5 – Analyze how an author’s choices concerning how to structure specific parts of a text contribute to its overall meaning
RL 6 – Analyze a case in which grasping a point of view requires distinguishing what is directly stated in a text from what is really mean (i.e. satire, sarcasm, irony)
RL 9 – Demonstrate knowledge of nineteenth century foundational works of American Literature
RI 1 – Cite strong textual evidence to support of analysis of what a text says
RI 8 – Delineate and evaluate the reasoning in seminal U.S. texts (e.g. Presidential Addresses)
RI9 – Analyze nineteenth century foundation U.S. documents of history and literary significance for themes, purposes and rhetorical features (e.g. Lincoln’s Second Inaugural Address, The Gettysburg Address). 
Learning OBJECTIVES:
By the end of the novel students will be able to
1)    Define realism, satire, dialect, antihero, unreliable narrator, irony (situational, dramatic, and verbal), episodic plot, romanticism, dramatic foils, hyperbole, motif, picaresque novel, parable, sarcasm, simile, metaphor, oxymoron, allegory, euphemism, bildungroman
2)    Pick out examples of symbols, irony and dialect
3)    Example the meaning of at least one major symbol
4)    Discuss how Huck is both an unreliable narrator and an antihero
5)    Discuss how Huckleberry Finn, the novel, fits both a bildungsroman and picaresque novel
6)    Give examples of and discuss the following motifs in the book: superstition, parodies of previous literature (romantic novels and Shakespeare), the adopting of personas (or reinventing self), childhood games, religion, lies and cons, death, and perhaps one or two others that I will bring up in class
7)    Be out to pick out and example five – ten allusions
8)    Outline the plot according to the six elements
9)    Break up the book into three sections or three movements (and briefly explain each movement)
10) Break up the book into 9 episodes
11) Give a list of characters in the book with a brief description of each and their general purpose in the novel
12) Compare and Contrast Huck Finn and Tom Sawyer
13) Discuss the idea of and the historical reference of Family Feuds
14) Discuss the different types of conflict found in Huckleberry Finn
15) Discuss how Mark Twain uses allusions to back up his major themes and develop his characters
16)   Keep a list of Huckleberry Finns stories and pranks
17) Discuss how Huckleberry Finn is honest in dishonest world
18) Briefly explain the following themes: Racism and Slavery, Intellectual and Moral Education, The hypocrisy of society (appearance vs. reality), conflict between the individual and society, the quest for freedom (both freedom away from society and freedom within society), superstition vs religion, death and rebirth, coming of age and the hero’s journey, the concept of family, the role of the outsider, the nature and the significance of the following traits: gullibility, ignorance, and naivety, tolerance vs. prejudice. 
19) Define and use various vocabulary words that appear in the book
20) Develop a project based on some aspect of the novel.
21) Answer study questions as you read.
 
Discussion Questions NOTICE - IV

 
1) Describe the Widow Douglas.  How does Huck respond to the Moses story?  What does this tell the reader about Huck's character?  (Moses will be a motif in this book) 
2) Discuss superstition as a motif.  Provide examples.
 
3) Discuss Huck's view of death and the afterlife.  Death is mentioned frequently in chapter 1.  Why?
 
4) Comment on the trick Tom and Huck play on Jim.
 
5) "Jim was most ruined for a servant..."  Discuss the significance of this quote.
 
6) Considering the themes listing in the objectives, comment on Tom's decision to leave 5 cents for the candles.  Do you think Huck would have done the same thing?   Why or why not?
 
7) Compare and Contrast Tom and Huck.
 
8) Why does Tom think it important that the gang be considered "highwaymen" rather than burglars?
 
9) Discuss Huck's conflict over Miss Watson's view of prayer.
 
10) Why does Tom Sawyer call Huck a "numskull"?
 
11) Comment: "I reckoned he believed in the A-rabs and the elephants, but as for me I think different.  It had all the marks of a Sunday school."
 
12) Why does Huck want to give all the money to Judge Thatcher?  
 
 Fenimore Cooper's Literary Offenses

by Mark Twain

"The Pathfinder" and "The Deerslayer" stand at the head of Cooper's novels as artistic creations. There are others of his works which contain parts as perfect as are to be found in these, and scenes even more thrilling. Not one can be compared with either of them as a finished whole. The defects in both of these tales are comparatively slight. They were pure works of art.
--Professor Lounsbury

The five tales reveal an extraordinary fullness of invention. ... One of the very greatest characters in fiction, Natty Bumppo... The craft of the woodsman, the tricks of the trapper, all the delicate art of the forest were familiar to Cooper from his youth up.

--Professor Matthews
Cooper is the greatest artist in the domain of romantic fiction in America.

--Wilkie Collins
It seems to me that it was far from right for the Professor of English Literature at Yale, the Professor of English Literature in Columbia, and Wilkie Collins to deliver opinions on Cooper's literature without having read some of it. It would have been much more decorous to keep silent and let persons talk who have read Cooper.

Cooper's art has some defects. In one place in "Deerslayer," and in the restricted space of two-thirds of a page, Cooper has scored 114 offenses against literary art out of a possible 115. It breaks the record.

There are nineteen rules governing literary art in domain of romantic fiction -- some say twenty-two. In "Deerslayer," Cooper violated eighteen of them. These eighteen require:

1. That a tale shall accomplish something and arrive somewhere. But the "Deerslayer" tale accomplishes nothing and arrives in air.

2. They require that the episodes in a tale shall be necessary parts of the tale, and shall help to develop it. But as the "Deerslayer" tale is not a tale, and accomplishes nothing and arrives nowhere, the episodes have no rightful place in the work, since there was nothing for them to develop.

3. They require that the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others. But this detail has often been overlooked in the "Deerslayer" tale.

4. They require that the personages in a tale, both dead and alive, shall exhibit a sufficient excuse for being there. But this detail also has been overlooked in the "Deerslayer" tale.

5. The require that when the personages of a tale deal in conversation, the talk shall sound like human talk, and be talk such as human beings would be likely to talk in the given circumstances, and have a discoverable meaning, also a discoverable purpose, and a show of relevancy, and remain in the neighborhood of the subject at hand, and be interesting to the reader, and help out the tale, and stop when the people cannot think of anything more to say. But this requirement has been ignored from the beginning of the "Deerslayer" tale to the end of it.

6. They require that when the author describes the character of a personage in the tale, the conduct and conversation of that personage shall justify said description. But this law gets little or no attention in the "Deerslayer" tale, as Natty Bumppo's case will amply prove.

7. They require that when a personage talks like an illustrated, gilt-edged, tree-calf, hand-tooled, seven- dollar Friendship's Offering in the beginning of a paragraph, he shall not talk like a negro minstrel in the end of it. But this rule is flung down and danced upon in the "Deerslayer" tale.

8. They require that crass stupidities shall not be played upon the reader as "the craft of the woodsman, the delicate art of the forest," by either the author or the people in the tale. But this rule is persistently violated in the "Deerslayer" tale.

9. They require that the personages of a tale shall confine themselves to possibilities and let miracles alone; or, if they venture a miracle, the author must so plausibly set it forth as to make it look possible and reasonable. But these rules are not respected in the "Deerslayer" tale.

10. They require that the author shall make the reader feel a deep interest in the personages of his tale and in their fate; and that he shall make the reader love the good people in the tale and hate the bad ones. But the reader of the "Deerslayer" tale dislikes the good people in it, is indifferent to the others, and wishes they would all get drowned together.

11. They require that the characters in a tale shall be so clearly defined that the reader can tell beforehand what each will do in a given emergency. But in the "Deerslayer" tale, this rule is vacated.
 
 
THEMES:
 
Major Themes: Mark Twain described the major theme of The Adventures of Huckleberry Finn as an irony: "A sound heart and a deformed conscience come into collision and conscience suffers defeat." We can define the "deformed conscience" as a conscience influenced by the laws of society and a sense of duty toward those laws. The laws of society at the time of Huck's journey considered people of African descent as property and, therefore, less than human. Huck's struggle with his "deformed conscience" represents a major conflict in the novel. Furthermore, the novel is rich in common themes, themes that we will discover in many other pieces of literature.

1. The conflict between the individual and society - Huck's struggle with his "deformed conscience"
2. The conflict between the emotional and the rational
3. Appearance vs. reality - hypocrisy and "phoniness"
4. Superstition - as a method of explaining and understanding
5. Tolerance vs. prejudice
6. Dehumanization - dehumanizing human beings to oppress them
7. Death and rebirth
8. Coming of age - the hero's journey
9. The role of the outsider
10. The nature and significance of the following human traits: gullibility, ignorance and naivete

Other significant themes include: the feeling of loneliness and isolation; the quest for freedom; romantic vs. real; implied vs. literal; the role of women; the concept of family.  

NOTES:


Picarsque Novel: Usually a satirical novel which depicts in realistic detail the adventures of a roguish hero of low social class who survives by his or her wits in a corrupt society.

Bildungsroman: A novel whose principal subject is the moral, psychological and intellectual development of a youthful main character.

Episodic Plot: A structure that features distinct episodes or a series of stories linked together by the same character. Huck Finn can be broken up into 8 or 9 episodes.

Romanticism:
Work of literature that deal with imagination, that represent ideals of life, these works often include fantastic adventure stories, spiritual connections with nature, gothic stories of the fantastic. Authors include: Sir Walter Scott, Fenimore Cooper, Poe.

Realism:
Works of literature that depict life and people as they really appear. Hence Realistic.
Themes include corruption of society as a whole, racism.

Anithero:
A protagonist who doesn't fit the traditional description of a hero.

Persona:
An assumed identity or character.

Satire:
A work of literature that uses irony and hyperbole to attack and mock some aspect of society as a way to promote social change.